SERVICES TRANSCRIPTION PRODUCTION ARRANGING CONSULTING ABOUT ME I love music and chances are that you do too. I’ve been fortunate to make a career out of doing what I love and I’m grateful to everyone who has helped me along the way. Maybe you need something? Visit for more resume information. WHO I'VE WORKED WITH Chaka Khan, Chuck Leavell (The Rolling Stones, The Allman Brothers), Antonio Sanchez (Chick Corea, Pat Metheny Band), Wycliffe Gordon (Wynton Marsalis, Jazz at Lincoln Center), Arthur Barrow and Ed Mann (Frank Zappa) •. Chick Corea’s Humpty Dumpty piano solo transcription and lead sheet, with examples of polyrhythm application. Chick Corea’s Humpty Dumpty is an interesting and challenging tune the play, mainly because of two reasons. E Maj7 DMaj7 F Maj7 FMaj7 A7alt B Maj7 B m7 B m7 Dm7 Bm7 A m7 Fm7 A m7 To Coda G Maj7 Fm7 B 7 D.C. Al Coda F Maj7 EMaj7 Coda Dm7 D m7 F 7 BMaj7 5 BMaj7 5 B 7alt E m7 C7sus4 A9sus4 Fim 1 Humpty Dumpty Chick Corea. Transcription of Chick Corea’s piano solo on Morning Sprite, with brief analysis Morning Sprite is one of my favourite Chick Corea’s composition, for his acoustic trio. Here’s a live video of Chick Corea’s Akoustic Band performing Morning Sprite on youtube. [youtube:Chick Corea’s improvised piano solo in this clip is nothing short of amazing. Here’s the transcription I did on the piano solo part only, in the usual PDF format. QUARTALS Quartal chords are very useful tools, not just for voicings purposes, but also during jazz solo improvisation. First, lets see the choices of quartal chords available over an A dorian harmony. We can see that for a harmony based on a certain dorian scale, there will be 5 sets of quartals available to us. Here’s an example of the master Chick Corea applying quartals in his solo. Observe bar 53 of the transcription. The quartal observed here, over an F#m7, is equivalent to the second quartal for the A dorian example shown earlier. Observe also bar 146 of the transcription. The quartal observed here, over a G#m7 is equivalent to the third quartal for the A dorian example shown earlier. Every jazz musicians should practise using these 5 quartals, until he/she is comfortable applying them over any set of dorian harmony. Enjoy and have fun. In this free transcription of Kurt Rosenwinkel’s solo on “View From Moscow” from the album The Remedy, you will find many examples of his fascinating pentatonic and intervalic style of guitar improvisation. In measures 29-30, you will find a great example of pentatonic shapes (Shapes based on the pentatonic scale.) Rather than focusing on one scale, Kurt combines pentatonic shapes from different pentatonic scales, adding notes in between to give his lines more life. In measures 42-43, he will encounter an incredible intervalic line. He is essentially taking a nicely voiced canto style voicing and arpeggiating it. Check it out! Please make sure to comment with any questions and don’t forget to subscribe! Enjoy and have a very happy new year!!! I teach lessons online with services like Skype and Google Hang Outs, so feel free to email me if you are interested: [email protected] Categories • (31) • (2) • (14) • (26) • (12) • (1) • (9) • (13) • (5) • (5) • (1) • (8) • (39) • Stride Piano Solo on Ain’t Misbehavin’ • It’s been a while since my last stride video, • Here’s another augmented jazz pick for your • Jazz Improv Lesson – Augmented Lick #2 • In this short jazz piano tutorial, I demonstrate the fourth in a series of interesting and.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
November 2018
Categories |